Those divided realms collapse in the climactic sequence of “Endure and Survive,” which pulls elements from the video game to string together one staggering set piece after another: a sniper shootout, a truck chase and crash, an explosion and sinkhole, and hundreds of Cordyceps-controlled bodies swarming out of the ground. That revelation concludes a pair of The Last of Us episodes that built a whole new world in Kansas City, where human threats roam the streets above and the infected lurk in the tunnels and sinkholes below. He cares for Ellie in the same way that he cares for the daughter he could never save, and he’s in deep.” “Joel knows that he’s in emotional quicksand up to his neck. “That’s just life, and you go on,” Webb says. For episode director Jeremy Webb, that “awful and tragic” ending - and the resilience Joel and Ellie display afterward - is the Last of Us way. But by the end of the episode, Henry and Sam are dead, Kansas City is overrun by the infected, and Joel and Ellie are alone again. After fleeing from the rebels that overthrew the city’s FEDRA authorities, Ellie and Sam (Keivonn Woodard) play together, reciting the comic’s motto, as Joel and Sam’s older brother, Henry (Lamar Johnson), recognize in each other the protectiveness they’ll need to make it out of Kansas City. ![]() This quiz was reviewed by FunTrivia editor skunkee before going online.Īny errors found in FunTrivia content are routinely corrected through our feedback system.“Endure and Survive” takes its name from the Savage Starlight comic that Ellie and a new friend bond over while hiding out in the Kansas City underground. All you understand is the fist and boot". As a war movie, it is memorable rather than entertaining, but as an anti-war film this is one of the most powerful movies of the genre released to date.Ĭollier, "You're an animal. It displays the horrors of war without completely removing the elements of heroism it depicts the grotesqueness of war accurately, without revelling in the depravity of man and it shows glimpses of humanity but does not present a sanitised view like war movies of the the mid-twentieth century. This film is very much about trying to find a balance. While the quote listed above is stated much earlier in the movie, it serves as a reminder of how Ellison has succumbed to the war. Ellison sees the white horse (and it is this alone which gives us some hope that Ellison will be OK despite what he has become). Ellison feels anything but and appears confused with the whole scene. The Americans help him into an ambulance, calling him a hero. Ellison passes out to awaken to the American army reaching the tank. A very young soldier spots Ellison with his flashlight and ironically, given how Ellison was forced to kill a Nazi prisoner early in the movie, spares him as the Nazis prepare to move on. The Nazis reach the tank and drop two grenades down the hatch killing Collier. Ellison escapes and covers himself with mud (a metaphor for death) from the crater caused by the landmine. With three of the crew dead and Collier badly injured, Collier tells Ellison to escape through the hatch in the floor of the tank, as it becomes inevitable the Nazis will storm the tank very soon. *SPOILERS* The final scenes are filled with metaphors. They call him Machine.Īs the audience, we are ashamed for what Ellison has become.Īnswer: The Nazi acknowledges that Ellison is alive but moves on without harming him. It ain't like the newsreels up front."Įllison's inexperience causes other allies to die early on his first mission but by the climax he has become one of the men and he his respected by the crew for the deeds that he has to perform. I promised my crew a long time ago I'd keep them alive. Initially, Collier doesn't want Ellsion as part of his crew when Ellison turns up for duty: "I had the best Assistant Driver in the entire Ninth Army in that seat. ![]() "Best job I've ever had", mirroring what his battle-scarred crew mates had said earlier in the movie. I can't do it."Ĭompare that with this retort by Ellsion in the second half of the movie: ![]() Norman Ellison: "Just kill me, kill me, kill me, kill me, kill me, please. Note this exchange early in the movie, when Collier wants Ellison to shoot a Nazi prisoner: Their characters do not change much during the course of the movie, but Ellison's does. The rest of the crew are already jaded, cynical and exhausted. This movie is a star vehicle for Brad Pitt but we see the whole movie through Ellison's eyes we identify with him as he is innocent but he has the the most brutal arc within the movie. Answer: He has to clean up the gore from where his killed predecessor sat in the tank.
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